Mapping the Canon: Quantitative Approaches to Literary History

The canon of literary works is central to the way we teach, tell, and write both literature and literary history. Canonized texts feature in school and university curricula and often become part of the reference system of national cultures—evolving through interpretation and re-interpretation across generations, maintained in cultural memory and kept accessible for new readers.

Because the canon is inevitably linked to processes of selection, the question of which texts receive sustained attention is inseparable from broader social, institutional, and political forces. Selections are never neutral: curricula, publishing practices, and critical traditions shape the visibility of works, while debates about value, identity, and authority determine which voices are prioritized.

In the aftermath of the “Canon Wars”, canon studies increasingly turned towards a system-oriented perspective, emphasizing the dynamics through which texts gain, maintain, or lose authority—a shift that occurred alongside the rise of digital methods and the early development of Computational Literary Studies. Various quantitative studies have since operationalized canonization, prestige, and popularity through curated lists, indicators of scholarly attention, and measures of cultural reach. This symposium brings together researchers from different disciplinary and methodological perspectives, with the aim of synthesizing existing approaches and moving towards a more coherent conceptual and methodological foundation.

If you are interested in attending please register by email (judith.brottrager@tu-darmstadt.de) by 5 June.

Thursday, 18 June 2026

14:00–14:30 Welcome and Introduction
Judith Brottrager, Technical University of Darmstadt
Opening Remarks: Mapping the Canon Together
14:30–16:00 Session A: Measuring and Modeling the Canon
Frank Fischer, Lisa Poggel, Ashley Lau
Freie Universität Berlin, TIB – Leibniz-Informationszentrum Technik und Naturwissenschaften, Freie Universität Berlin
Canon Shelf: A Repository of Machine-Readable Canon Lists
Jana Eckardt, Agnes Hilger, Merten Kröncke
Georg-August-Universität Göttingen, Julius-Maximilians-Universität Würzburg, Universität Stuttgart
From Canon Theory to an Empirical Canonicity Score for Authors of German-Language Literature
Keli Du & Julian Schröter
Ludwig-Maximilians-Universität München
On the Relationship between Textual and Contextual Factors of Canonization
16:00–16:30 Coffee Break
16:30–18:00 Session B: Historical Trajectories and Long-Term Influence
Pascale Feldkamp & Yuri Bizzoni
Center for Humanities Computing, Aarhus University
The Daring Case of the Universal Canon
Wouter Haverals
Princeton University
Evolution of the Poetic Canon in the Princeton Prosody Archive (1580–1920). Turnover and Continuity
Natalie M. Houston
University of Massachusetts Lowell
What 100 Years of English Poetry Anthologies Can Tell Us About the Canon

Friday, 19 June 2026

09:00–10:00 Session C: National and Cultural Contexts of Canon Formation
Jean Barré
LaTTiCe-CNRS, École Normale Supérieure – PSL University
Peaks, Tails, and Genre Canons: Measuring Long-Term Influence in French Popular Fiction
Erik Fredner
Oregon State University
Canons Within Canons? US Author and Work Selections Across Anthology Series
10:00–10:30 Coffee Break
10:30–12:00 Session D: Rethinking the Canon and its Boundaries
Judith Brottrager
Technical University of Darmstadt
Profiling Influence: A Bottom-up Model of Cultural Impact
Anastasia Glawion & Julia Neugarten
Friedrich-Alexander-Universität Erlangen-Nürnberg, Radboud University Nijmegen
A Genre of Our Own: Fanonization and the Omegaverse
Roundtable, Closing Remarks & Next Steps